Creativity in physics

One of the most widespread misconceptions about physics, and other natural sciences, is that they are quite the opposite to art: Precise, fact-driven, logical, and systematic. While art is perceived as emotional, open, creative, and inspired.

Of course, physics has experiments, has data, has math. All of that has to be fitted perfectly together, and there is no room for slights. Logical deduction is central in what we do. But this is not all. In fact, these parts are more like the handiwork. Just like a painter needs to be able to draw a line, a writer needs to be able to write coherent sentences, so we need to be able to calculate, build, check, and infer. But just like the act of drawing a line or writing a sentence is not what we recognize already as art, so is not the solving of an equation physics.

We are able to solve an equation, because we learned this during our studies. We learned, what was known before. Thus, this is our tool set. Like people read books before start writing one. But when we actually do research, we face the fact that nobody knows what is going on. In fact, quite often we do not even know what is an adequate question to pose. We just stand there, baffled, before a couple of observations. That is, where the same act of creativity has to set in as when writing a book or painting a picture. We need an idea, need inspiration, on how to start. And then afterwards, just like the writer writes page after page, we add to this idea various pieces, until we have a hypotheses of what is going on. This is like having the first draft of a book. Then, the real grinding starts, where all our education comes to bear. Then we have to calculate and so on. Just like the writer has to go and fix the draft to become a book.

You may now wonder whether this part of creativity is only limited to the great minds, and at the inception of a whole new step in physics? No, far from it. On the one hand, physics is not the work of lone geniuses. Sure, somebody has occasionally the right idea. But this is usually just the one idea, which is in the end correct, and all the other good ideas, which other people had, did just turn out to be incorrect, and you never hear of them because of this. And also, on the other hand, every new idea, as said above, requires eventually all that what was done before. And more than that. Creativity is rarely borne out of being a hermit. It is often by inspiration due to others. Talking to each other, throwing fragments of ideas at each other, and mulling about consequences together is what creates the soil where creativity sprouts. All those, with whom you have interacted, have contributed to the idea you have being born.

This is, why the genuinely big breakthroughs have often resulted from so-called blue-sky research or curiosity-driven research. It is not a coincidence that the freedom of doing whatever kind of research you think is important is an, almost sacred, privilege of hired scientists. Or should be. Fortunately I am privileged enough, especially in the European Union, to have this privilege. In other places, you are often shackled by all kinds of external influences, down to political pressure to only do politically acceptable research. And this can never spark the creativity you need to make something genuine new. If you are afraid about what you say, you start to restrain yourself, and ultimately anything which is not already established to be acceptable becomes unthinkable. This may not always be as obvious as real political pressure. But if whether you being hired, if your job is safe, starts to depend on it, you start going for acceptable research. Because failure with something new would cost you dearly. And with the currently quite common competitive funding prevalent particularly for non-permanently hired people, this starts to become a serious obstruction.

As a consequence, real breakthrough research can be neither planned nor can you do it on purpose. You can only plan the grinding part. And failure will be part of any creative process. Though you actually never really fail. Because you always learn how something does not work. That is one of the reasons why I strongly want that failures become also publicly available. They are as important to progress as success, by reducing the possibilities. Not to mention the amount of life time of researchers wasted because they fail with them same attempt, not knowing that others failed before them.

And then, perhaps, a new scientific insight arises. And, more often than not, some great technology arises along the way. Not intentionally, but because it was necessary to follow one's creativity. And that is actually where most technological leaps came from. So,real progress in physics, in the end, is made from about a third craftsmanship, a third communication, and a third creativity.

So, after all this general stuff, how do I stay creative?

Well, first of all, I was and am sufficiently privileged. I could afford to start out with just following my ideas, and either it will keep me in business, or I will have to find a non-science job. But this only worked out because of my personal background, because I could have afforded to have a couple of months with no income to find a job, and had an education which almost guarantees me a decent job eventually. And the education I could only afford in this quality because of my personal background. Not to mention that as a white male I had no systemic barriers against me. So, yes, privilege plays a major role.

The other part was that I learned more and more that it is not effort what counts, but effect. Took me years. But eventually, I understood that a creative idea cannot be forced by burying myself in work. Time off is for me as important. It took me until close to the end of my PhD to realize that. But not working overtime, enjoying free days and holidays, is for me as important for the creative process as any other condition. Not to mention that I also do all non-creative chores much more efficiently if well rested, which eventually leaves me with more time to ponder creatively and do research.

And the last ingredient is really exchange. I have had now the opportunity, in a sabbatical, to go to different places and exchange ideas with a lot of people. This gave me what I needed to acquire a new field and have already new ideas for it. It is the possibility to sit down with people for some hours, especially in a nicer and more relaxing surrounding than an office, and just discuss ideas. That is also what I like most about conferences. And one of the reasons I think conferences will always be necessary, even though we need to make going there and back ecologically much more viable, and restrict ourselves to sufficiently close ones until this is possible.

Sitting down over a good cup of coffee or a nice meal, and just discuss, is really jump starting my creativity. Even sitting with a cup of good coffee in a nice cafe somewhere and just thinking does wonders for me in solving problems. And with that, it seems not to be so different for me than for artists, after all.